5,238 Royalty-Free Audio Tracks for "Compositions In C Major"

Choro "Aguenta, seu Fulgêncio" (composed by Lourenço Lamartine and Pixinguinha) played by Pixinguinha (flute). 1929 (RCA Victor Talking Machine Company of Brazil).

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

Рекламный ролик «Северного торгового банка»

sound sample of a bass bansuri played of tonic E(white three).

Excerpt from a radio broadcast featuring Gus Arnheim & His Orchestra with vocals by Harry Barris and "three Ambassadors."

From a radio broadcast, c. 1932

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

Schubert Sonata in B scherzo bars 21-24

Bach Fugue XXII in B flat minor BWV 869, closing bars

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W. A. Mozart; Piano Quartet No. 1 in G minor, K. 478, third movement: Rondo allegro

Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.

An Audiosample from the Sea organ in Zadar, CroatiaEin Audiosample der Meeresorgal in Zadar, Kroatien

Sansoen Phra Barami (male and female choir) B.E. 2445 ไทย: เพลงสรรเสริญพระบารมี พ.ศ. ๒๔๔๕ (ชายหญิงร้องร่วมกัน)

Commercial disc from Columbia Italiana - Sample disc

Поёт Варя Панина

The Japanese anthem en:Kimigayo being performed in 1930. The author is unknown and the source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. (Note, some editing has been done by the uploader to reduce noise, crackling and to fix the bitrate of the recording).

Samba by Almirante (Singer). 1929.

Bees Wax Rag by Harry J. Lincoln.

MIDI of "Ut Queant Laxis", an 8th century hymn best known for being the basis for Ut-Re-Mi-Fa-Sol-La, later modified to the familiar Do-Re-Mi-Fa-Sol-La-Ti. Each line begins with a note that moves up the scale from Do to La (Ti not being used in music of that period).

Sansoen Phra Barami (Student Lyric 1902) by Mr. John ไทย: เพลงสรรเสริญพระบารมี พ.ศ. ๒๔๔๕ (ชายหญิงร้องร่วมกัน) ขับร้องโดย นายจอห์น

Samba "Primeira Linha". Benedito Lacerda e grupo Gente do Morro. 1930.

German hunting signal Fox is dead Deutsches Jagdsignal Fuchs tot

D Eb C B = D S C H = Dmitri Schostakovich.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

James Scott's "Grace and Beauty" (1909), created on a synthesized piano by Adam Cuerden from a score at s:Grace and Beauty.

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

C-A-F-F-E-E, dreistimmiger Kanon von C. G. Hering

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Half-diminished seventh chord on C

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

When The Mockingbirds Are Singing In The Wildwood by Frank C. Stanley

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 21 Prelude No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 10 Fugue No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 17 Prelude No. 9 in E major, BWV 854

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860